![]() Artist Series: Brian Behnke
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When I first set foot in City Art Gallery a few blocks from my house in the heart of San Francisco's Mission district, I had no idea I'd be transported into a spooky world of little boy zombies and tweaked out fairy tales. After staring for what seemed like hours at canvas after canvas of a cartoony dead boy ("x"s for eyes) and his adventures I decided to put money where my gaping mouth was and bought a piece called "The Golden Banana Peel." Soon after I hung my first real piece of art on my studio apt's overly-white walls, I decided to find out more about these dead boy portraits and the artist responsible for me blowing most of my paycheck that week, arist Brian Behnke. On his web site, I found his artistic mission statement: Painting: It ain't rocket science. Yes, I firmly believe that. However, I also believe that the exact place where the development of ideas, subject matter, technique, and direction thrives is an unsolvable mystery. The unconscious string of creativity that runs from concept to idea to sketch to finished piece is as unique as each of us. So for the simplest purpose it boils down to our own visual fetishes. In order for a concept to grow into a finished piece it has to intrigue me to smirk or at least frown joyously. The question of what strikes each of our own creative fancies, what tickles and amuses each of us, and what we just think is plain fun to create is all tied to our individual path in life. These inspirations seem to be rooted in my childhood fascination for all things dynamic and visual. When I was child I played with LEGOs and Lincoln Logs until I was thirteen. Man, how I miss those things! I watched Bugs Bunny every chance I got and still do today. I drew futuristic worlds with side view cut-outs of space ships. Building forts in my parent's basement was not uncommon. Running over snakes and frogs with the lawnmower became a sport. Drawing my sneakers often solved boredom. Oh yeah, my Webbles wobbled and they never fell down. My artistic motivation is inspired by the work of such artists as Edward Hopper, Shag, Degas, Winslow Homer, Brad Holland, Yoshimoto Nara, Mark Ryden and anything created by the minds of children. Not only is it important for me to look at other artists' work but to also find inspiration and amusement in all forms of media and in as much of the world that surrounds me as possible. I believe that the essence of an idea is more precious than the most valuable of metals. If creativity could be bottled and contained it would be more powerful than an atom bomb. Like I said painting ain't rocket science, but to me it's just a big mystery. Intrigued futher, I went ahead and picked Behnke's brain about his art and why a little dead boy haunts his canvas.
What is the origin of Dead Boy? Why a dead boy, and
not a dead girl or a dead rabbit?
Where did you get your art training?
How old were you when you figured out that you were
an artist?
Who influences your work?
What artistic medium do you prefer to work with and
why?
What does the future hold for Dead Boy?
The next series after Dead Boy that I've seen recently from
you is all about deadly-but-cute
Dust Bunnies. Can you explain what inspired you
this time around?
What makes these dusty bunnies different than normal dust bunnies?
Where can people see your art? Visit Brian Behnke's site here for more info on how to see and buy his amazing art!
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All paintings
copyright
© Brian Behnke
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